"And He'd Say, 'Oo-La-La! Wee-Wee!'" | |
---|---|
Song by Billy Murray | |
Released | 1919 |
Recorded | August 12, 1919 |
Genre | Jazz |
Length | 2:52 |
Label | Victor |
Songwriter(s) | George Jessel, Harry Ruby |
"And He'd Say, 'Oo-La-La! Wee-Wee!'" is a World War I era song released in 1919. Lyrics and music were written by George Jessel and Harry Ruby. [1] William Baker arranged the song. [2] It was published by Waterson, Berlin & Snyder, Inc. of New York, New York. [3] The song was written for voice and piano. [4] [5]
There are two versions of the sheet music cover. The first was designed by Albert Wilfred Barbelle. It features a soldier speaking to a woman with a parasol. The later edition was designed by Weatherly. This version shows a man and woman speaking under an arched doorway. [3]
On August 12, 1919, Billy Murray recorded the song with conductor Rosario Bourdon. It was released under the Victor record label. [2] [6] It was in the top 20 songs from October 1919 to January 1920. [7]
The sheet music can be found at Pritzker Military Museum & Library. [8]
The song is about Willie Earl who falls in love with a French girl. The humor of the song lies in the fact that Willie only knows two words in French, "oo-la-la" and "wee-wee," which he repeats throughout the song. Despite the fact that Willie cannot speak French, the girl continues to try to communicate with him. The two choruses are as follows: [9]
Chorus 1:
She'd say, "Compronay voo, papa?"
And he'd say, "Oo-la-la! wee-wee"
She'd smile and whisper, "Mercy bacoo"
He'd answer, "I don't mind if I do"
She'd say, "If you be my papa
Then I will be your ma cherie"
She'd pinch his cheek and say, "You keska say"
He'd say, "Not now, dear, but later I may"
Then she'd say, "Compronay voo, papa"
And he'd say, "Oo-la-la! wee-wee"
Chorus 2:
She'd say, "Compronay voo, papa?"
And he'd say, "Oo-la-la! wee-wee"
She'd say, "Come see" and then roll her eyes"
He'd answer, "Baby, you'd be surprised"
Each evening they would promenade
Upon ze boulevard, you see
One day at lunch, she said, "Café voo la"
He'd say, "My dear, don't forget where you are"
Then she'd say, "Compronay voo, papa?"
And he'd say, "Oo-la-la! wee-wee"
Oui, Oui, Marie is a 1918 song composed by Fred Fisher with lyrics written by Alfred Bryan and Joe McCarthy. It was published by McCarthy & Fisher Inc. The sheet music cover featured an illustration by Andre De Takacs. The song was in the top 20 charts from September 1918 to February 1919 and reached number 10 in December. It was recorded by Arthur Fields, Irving Kaufman, and Rachel Grant & Billy Murray. The sheet music can be found at the Pritzker Military Museum & Library.
The cover has George Washington, Betsy Ross, and her helper.
"Break the News to Mother" is a war song first released in 1897. The song was popular during the Spanish–American War, and re-released during World War I. It is sometimes erroneously believed to be an American Civil War song. Charles "Chas" K. Harris wrote the lyrics and composed the music. The song was originally published by Harris in New York, New York.
"I Don't Want to Get Well" is a World War I era song released sometime between 1917 and 1918. Harry Pease and Howard Johnson wrote the lyrics. Harold Jentes composed the music. Leo Feist, Inc. of New York City published the song. Rosenbaum Studios designed the sheet music cover. It features a Red Cross nurse checking the pulse of a wounded soldier as he lies in his hospital bed. The two look at each other longingly. A battle is seen through the window. It was written for both voice and piano.
"Bring Back My Daddy To Me" is a World War I era song released in 1917. William Tracey and Howard Johnson wrote the lyrics. George W. Meyer composed the music. Leo Feist, Inc. of New York, New York published the song.
"Come On Papa" is a World War I era song released in 1918.
Dear Old Pal of Mine is a World War I song written by Harold Robe and Gitz Rice. The song was first published in 1916 by G. Ricordi & Co. in New York, NY.
When I Send You a Picture of Berlin: You'll Know It's Over, Over There is a World War I song written and composed by Frank Fay, Ben Ryan and Dave Dreyer. Written for voice and piano, this song was published in 1918 by Harry Von Tilzer Music Publishing Co., in New York, NY. The cover, illustrated by Pfeiffer Illustrating Co., depicts a soldier with a camera while in the background the cavalry rides through a monument. The song was recorded by Arthur Fields & the Peerless Quartet.
General Pershing: is a march composed in 1918 by Carl D. Vandersloot and published by Vandersloot Music Publishing Company.
"Oh! Frenchy" is a World War I song written by Sam Ehrlich and composed by Con Conrad. It was published in New York, New York by Broadway Music corporation in 1918. The song was in the top 20 charts from September 1918 to March 1919 and was number 2 in October, December, and February. The sheet music cover features a soldier pictured in uniform with a woman in his heart.
"Lafayette " is a World War I song written and composed by Mary Earl, which was a pseudonym of Robert A. King. It was published in New York, New York by Shapiro, Bernstein, & Co. in 1918. The sheet music cover, illustrated by Albert Barbelle, depicts soldiers marching with fixed bayonets below a statue of Lafayette in silhouette.
Don't Cry Frenchy, Don't Cry is a 1919 song written during World War I. The lyrics were written by Sam M. Lewis and Joe Young, and the music was written by Walter Donaldson.The song was published by Waterson, Berlin & Snyder Company in New York City.
"I'll See You Later Yankeeland" is a World War I song written and composed by Charles K. Harris. The song was self-published in 1917 by Charles K. Harris in New York, NY. The sheet music cover features a photo of soldiers waving from the deck of a ship.
"Giddy Giddap! Go On! Go On! We're On Our Way to War" is a World War I song written and composed by Jack Frost. This song was published in 1917 by Frank K. Root & Co., in Chicago, Illinois. The sheet music cover depicts a mule pulling four soldiers in a wagon.
"Keep Your Head Down, Fritzie Boy" is a World War I song written and composed by Gitz Rice. This song was published in 1918 by Leo. Feist, Inc., in New York, NY. The cover features a photo of Gitz Rice and reads "inspired by a brave Tommy and written at the Battle of Ypres, 1915."
We'll Carry The Star Spangled Banner Thru The Trenches is a World War I song written by Daisy May Pratt Erd. The song was first published in 1917 by Lang & Mendelsohn in Boston MA. The sheet music cover depicts soldiers advancing over barbed wire with a flag waving.
Let's All Be Americans Now is a World War I song written and composed by Irving Berlin, Edgar Leslie, and George W. Meyer. The song was first published in 1917 by Waterson, Berlin & Snyder Co., in New York, NY.The sheet music cover depicts a soldier with his rifle and silhouetted marching soldiers in the background. A popular recording in 1917 was made by the American Quartet.
"The Russians Were Rushin', the Yanks Started Yankin'" is a World War I song written by Carey Morgan and composed by Charles R. McCarron. The song was first published in 1918 by Broadway Music Corporation in New York City. The sheet music cover depicts an elderly man smoking a pipe with silhouetted soldiers across the top and bottom.
We'll Knock The Heligo—Into Heligo—Out Of Heligoland! is a World War I song written by John J. O'Brian and composed by Theodore Morse. The song was first published in 1917 by Leo Feist Inc., in New York, NY. The sheet music cover depicts a terrified Kaiser standing on a cliff with a city below and United States soldiers rushing toward him.
When the Flowers Bloom On No-Man's Land is a World War I song written by Howard E. Rogers and composed by Archie Gottler. The song was first published in 1918 by Kalmar, Puck, & Abrahams Music Co., in New York, NY. The sheet music cover depicts soldiers marching with an inset photo of Fred Weber. The sheet music was later reprinted with an inset photo of Dorothy Jarrett.
{{cite book}}
: |website=
ignored (help)Bibliography